汉江师范学院学报

唐代伶妓诗成规模出现，这在中国古代诗歌史上是较为独特的现象。唐代伶妓诗的兴盛主要基于诗教氛围下对伶妓群体提出的高技艺要求和国家礼乐体系的制度化。同时，伶妓这一特殊群体靠着曲江宴饮等文化活动，在与文士的诗歌互动中展现了自身创作的主体性和能动性。伶妓诗也在这个过程中呈现出“社交货币”的功能。在这样的社会背景下，唐代伶妓诗呈现了相对内敛、深沉典雅和回环的风格。

The emergence of a substantial body of poetry by court musicians and courtesans during the Tang Dynasty represented a relatively unique phenomenon in the history of ancient Chinese poetry. The flourishing of this genre was primarily driven by the high artistic standards demanded of this group within the context of poetic education, alongside the institutionalization of the state's ritual and musical system. Simultaneously, this distinctive group leveraged cultural events like the Qujiang banquets to demonstrate their creative agency and dynamism through poetic exchanges with literati. In this process, courtesan poetry also functioned as a form of “social currency.” Against this societal backdrop, the Tang Dynasty courtesan poetry developed a relatively restrained, profoundly elegant, and circular style.